“Wetland Gold”

Oil on Gold Leaf panel

6×8 in

Artwork by Michel McNinch

Prices are for unframed works of art  - Framing options available upon request

Share this piece

Subscribe
This painting and the following three comprise a Table Rock State Park Series. It was started in one of my painting classes to show how a series of paintings can all be started on the same day and using the same palette.  This gives a great chance that the paintings will hold together as a series.  Consistent Harmony. A worthy aim.
At Santee State Park, there are cabins on the piers. This is the view just as the sun sinks into the water. The smell of the brackish water comes to mind and the squawks of the shorebirds settling in for the night. I wanted to paint the “end of day” drama.
"Helios," 48x24, oil on canvas. Minor revisions gave this painting a little more drama. Am I finished? I'll look at it this week and decide.
Litchfield Beach, oil, 6x8 This little spot in the world gives spectacular color. I always get inspired to paint there.
"Spring Up," 12x12, oil on gold leaf. Original painting by Michel McNinch of Columbia, South Carolina.
Wading for Breakfast, 6x8, oil, $295 The birds have sanctuary in the estuary at Huntington Beach SP (5 Xs fast). There are always many flocks of shore birds posing for park visitors. They wade around at feeding times in the morning and the evening.
There is a little lake in front of Table Rock and a small little area to explore. It is one of the most beautiful places in the whole park. Drive across the street and look for the little paths that will bring you to the lake. Don’t forget your camera.
Consistent blog posting took a hit; missed 3 weeks! My sincere apologies. My painting had me under its spell. This painting is one that has long been on my mind and in my “to be painted” file. I kept thinking it would be finished for the week’s blog post, but it wasn’t. But it is ready for you now…. “The Stitches we Know,” oil, 24x30 - Collection of the Artist The subject of the painting is my niece, Bek (a/k/a Rebekah). She was taking down her childhood room and is transitioning to her adult life. I found it poignant that her elementary days are represented and the family’s ancestral home is there as well with the picture of the widow’s walk. There are hints to her siblings and even the family’s favorite meal her Mama makes. The photo was taken as a message to me. She is holding up a granny square I crocheted for her (my stitches) while wearing a t-shirt with her “Stitch” on it. We know and think different things, but we share them with each other. So, as you can see this painting brings up many things to my heart and mind. But now dear viewer, I leave it to you. Please enjoy it however you wish. There is a video on my YouTube page that shows the process used to completed the painting. Please take a moment to view it. I have reached my first goal of 25 subscribers (no snickering!). My new goal is 100! Please share if you know anyone who would be interested in seeing the work. Insert link to YouTube Thank you for following my painting practice. It is my hope you will enjoy learning about art from a working artist’s perspective. Next up on the easel is my beloved Robert! Stay tuned. Also, completing this painting for an upcoming show. (Insert Vista Lights link.). Hashtags #Stormwaterstudios #Vistalights #holidayseason #Stitch #stitches #childhood #adulthood #oilpainting #michelmcninch #paintwhoyoulove #artlovers #paintinglovers #theviewer #figurativepainting
"Blue Mesa Memory," 24x48, oil on canvas. This is the final painting. It has been in my studio on and off the easel for a long time. It is finally ready to sing it's song.
This painting and three more comprise a TableRock State Park Series. I started in one of my painting classes to show how a series of paintings can all be started on the same day and with the same palette. This gives a great chance that the paintings will hold together as a series. Consistent Harmony. I worthy aim.
“Camping Island,” oil, 5X7 - Billy Dreher Island State Park. There is a surprise in this painting. The Park is actually the land mass in the very back. This was our view from our dock for 20 years. We camped on the island on the right, because the island on the left always had spiders. The things a painting can help you remember.